Platform: PlayStation 5, PC Publisher: Annapurna Interactive Developer: Great Ape Games

Dinosaur survival game The Lost Wild seemed, for lack of a better word, lost since its reveal in 2021. So much so, in fact, that we included the game in our recent magazine round-up of long-announced games that had more or less gone radio silent since their debuts. We like to think that article willed the game’s reemergence during this week's PlayStation’s State of Play into existence, but regardless of the reasoning, we’re happy to see it again, and I was even more intrigued to check out a 30-minute hands-off demo at Summer Game Fest Play Days

The game stars Saskia, a woman who awakens after a car accident to find herself on an island teeming with dinosaurs. The live demo begins in an impressively rendered moonlit forest, which is devoid of any static HUD elements. As Saskia carefully navigates the dense foliage in first-person, the demoer highlights one of the key elements of The Lost Wild: stealth. Moving too quickly or loudly, or using your flashlight or igniting flares, will alert nearby animals to your presence, which might include hungry carnivores. 

Saskia is apparently not a fighter, but even if she were, I doubt she could do much against the main threat of this demo: an Allosaurus. This apex predator makes its presence known when Saskia encounters a man wearing a hazmat suit near a facility. As the panicked man runs towards Sasikia, likely grateful to see someone who isn’t a prehistoric reptile, he’s promptly snatched by the jaws of the Allosaurus as Saskia quickly crawls under a nearby car. Underneath the vehicle, the man is dropped to the ground remarkably intact before Allosaurus scoops him back up and viciously chomps him in half. His bloody bottom half, entrails exposed, slumps to the ground as the Allosaurus seemingly catches a whiff of the terrified Saskia. After a few curious sniffs, it resumes devouring the remains of its prey – false alarm. Although the graphical fidelity of the dinosaur and characters leaves a bit to be desired in this in-development build, the scene gets its point across effectively; don’t get caught. 

As scary as they can be, The Lost Wild’s dinosaurs are not designed to be bloodthirsty monsters whose sole purpose is to make Saskia their lunch. Instead, developer Great Ape Games aims to depict them as real animals who behave accordingly. While I don’t get to see how nuanced this behavior can be, the Allosaurus doesn’t feel like it's actively hunting Saskia. It’s roaming the area probably because this is its territory, but when it does discover the player, they need to act fast. Creating distractions is key, such as a later sequence when Saskia enters a facility and throws a rock to knock out an outdoor light to draw the Allosaurus' attention. If distractions don’t work, the demo shows you can hide in tall grass to sneak around, slide under vehicles like a scared child cowering under a bed, or just run for it and hope for the best. That last option ended badly on two occasions for the developer playing the build for us, however.

As a passionate fan of the original Jurassic Park, I have a soft spot for scary yet awe-inspiring dinosaur media, so The Lost Wild’s premise strikes a few good chords. The demo was intentionally slow and a decent mood piece, but I love the premise. I'm also eager to witness the realistic dinosaur behaviors shine through beyond the Allosaurus murderizing someone. I also hope the animals and characters will be sharpened up by the time the game arrives in 2027. 

It’s also hard not to acknowledge the strange, perhaps unfortunate, coincidence of how The Lost Wild shares almost the same “run and hide from the dinosaurs” premise with another upcoming game, Jurassic Park: Survival, but without Universal’s popular license. While The Lost Wild was announced first, it’s hard not to pine for Saber Interactive's upcoming game more, given my aforementioned fandom for the franchise. I truly hope The Lost Wild can woo me on its own merits, and I’m intrigued to see how this long-awaited project sticks the landing. 

Cronos: The New Dawn, Bloober Team's latest original survival horror game, launched last September, but it seems the studio isn't done with the game yet. The upcoming (and newly announced) Lazarus DLC will put players in the boots of the Warden from the base game, shifting the experience from a slower survival horror game to a fast-paced action game, sometime this Fall. 

It sounds like Lazarus will be a prequel to the base story of Cronos: The New Dawn, as it will allow players to control the Warden, following his journey in his prime from pathfinder to the character we know today. His character will feature a unique set of skills, including decoys that allow you to move quickly through danger, giving Lazarus a different game feel than Cronos: The New Dawn, according to Bloober Team. 

Check it out in the Cronos: Lazarus DLC reveal trailer below:

Bloober Team describes Cronos: The New Dawn as a slower survival horror game, but says playing as the Warden will turn the experience into "a faster, more aggressive take on Cronos' survival horror formula, with combat defined by speed, pressure, and constant danger." You'll be up against the Tracker, a persistent new threat whose only objective is to hunt you down and kill you. The story is one of rebellion, inner conflict, and the cost of defying the Collective, according to the team. 

"Cronos: The New Dawn is our original IP – an ambitious risk that allows us to create something truly unique," Bloober Team CEO Piotr Babieno writes in a press release. "We're thrilled to expand the Cronos universe with Cronos: Lazarus. The Warden has resonated strongly with audiences, and we're excited to see Alan Turkington return to this iconic role." 

Cronos: Lazarus is scheduled to launch sometime this Fall on PlayStation 5, Xbox Series X/S, Nintendo Switch 2, and PC. 

While waiting to learn more, read Game Informer's Cronos: The New Dawn review, and then check out the other game Bloober Team revealed today, Star Trek: Shadow Frontier. 

Did you play Cronos: The New Dawn? Let us know what you thought of it in the comments below!

I didn't think I would be the ideal audience for Among Us, the new show that dropped yesterday on Paramount+. I've played the game but don't have a strong attachment to the brand, and I've always perceived it as intended for a middle school audience. Regardless of whether that's true for the game, it's certainly not true for the show, and I found a lot to love as someone only passively aware of Among Us' cultural significance. The show is fun, not obsessed with game references, and makes a far more earnest attempt at depicting drama and death than I could have guessed. Put simply, Among Us works.

First, a quick warning: this show probably isn't suitable for young kids. Among Us the game has permeated the PCs, consoles, and phones of people of all ages, but Among Us is aimed a little older; despite being rated TV-PG, it feels more like it's right over the cusp of PG-13. There's mild swearing, copious cartoon gore, and a pretty bleak tone in the later episodes as the body count begins to stack up.

The show's premise is roughly identical to that of the game. A spaceship is on the way to deliver a shipment of "Ore+" to the Mira corporation, and it's staffed by crewmates: round, human-like creatures each donning a different colored spacesuit, which is also their name. However, one of them is an imposter, a shapeshifting alien a la John Carpenter's The Thing, and that monster is thirsty for blood. Despite its silly, sometimes childlike tone in the opening episodes, the show is a murder mystery, and as the number of victims increases, the mood adjusts accordingly, which I appreciated. It resists the urge to make jokes about the drama and treats the stakes sincerely, which kept me invested.

If you're not coming to the show as a fan of the game, you're probably coming for the star-studded cast, which is generally utilized well. Ashley Johnson (known for Critical Role and The Last of Us) gives a standout performance as Purple, a skeptical security guard who's also the most grounded crewmate. Meanwhile, Elijah Wood (known for The Lord of the Rings), Yvette Nicole Brown (known for Community), and Patton Oswalt (known for Ratatouille) are also highlights as Green, Orange, and White, respectively. That said, some characters don't get as much of a chance to shine as I'd hoped, either getting buried in the ensemble or dying too early in the show. Because of this, the latter episodes are generally stronger; by the time the crew has diminished, we've gotten to know each character well enough to fully understand their motivations and to really mourn them when they die.

While Among Us (the game) doesn't have prewritten dialogue or a traditional narrative, I'd argue that its structure creates a story every time you play, and the Among Us show adapts this well. The loop from tension to murder to trial to verdict is effective; the show's best scenes are also my favorite parts of the game, when crewmates debate whom to accuse and eject from the ship. If you're a fan of the games, you'll find it well-represented here, but if you're unfamiliar, you don't need to do any catching up.

I especially appreciate how distinct each character looks and acts, considering they all have roughly identical bodies. The outfits and personalities are distinct, and I'm amazed at how much personality the show's team of artists can imbue in a simple visor. Closer looks at the imposter are also very well done, with a disturbing, Cronenberg-like design. There are also plenty of visual nods to both Among Us and other video games, but they're unobtrusive side jokes, and you won't miss anything if you don't catch them. One of my favorite touches is that the intro sequence changes every episode to reflect who's alive and who's dead (and also changes the video game reference on Red's monitor).

I am satisfied with Among Us, and left the season finale glad that Infinity Train's Owen Dennis was the one to create the adaptation. While it's not necessarily groundbreaking storytelling, I enjoyed its various twists, animation style, and balance of respect for the source material and the medium of television. Most of all, it nails a distinct tone of drama, comedy, and light horror that defines the experience when playing the game. Among Us takes its source material seriously and succeeds because of it.

For anyone following the video game business closely, the saga of development behind 1666: Amsterdam is an intriguing one, and that’s before we even get down to understanding the game itself. After being re-revealed at this year’s Summer Game Fest show, there’s a good bit to unpack about the project and why it’s going to be one to watch closely in the coming months.

1666: Amsterdam has a roughly 30-minute prologue demo already available on Steam and the Epic Games Store, which sets the stage for its storytelling scope and ambition. The developer is aiming for an early access launch later this year.

Here’s what else we know.

Patrice Désilets was instrumental in bringing to life Prince of Persia: The Sands of Time (2003), but he deserves credit as one of the foundational originators of Assassin’s Creed, bringing the idea to life back in 2007 and setting it on a course to be one of the most popular and influential game series of the last two decades.

After laying the groundwork for the series and first sequels, Désilets had a complicated breakup with Ubisoft. Subsequently, he started work at THQ Montreal on 1666: Amsterdam around 2011 and 2012, before that studio went bankrupt, Ubisoft purchased the studio (and its properties) at auction, and Désilets was promptly let go again – without rights to his project. By 2016, Désilets regained rights to the project, and work once again began in earnest to develop the project at his new studio, Panache Digital Games.

Having worked with Désilets and covered his work on Assassin’s Creed, I can speak to his imagination and drive to create. In conversation, he is one of those developers who loves the craft and is interested in exploring its potential. When he left Ubisoft, he had been brimming with ideas to bring to that franchise, and it’s safe to say that many aspects of the Assassin’s Creed franchise moved in different directions after his departure. As a developer, Désilets seems especially drawn to history, mysticism, the power of ritual, and the ties between the past and present – all of which are directly relevant to what is coming together with 1666: Amsterdam.

Not unlike the unique modern-day/past split in Assassin’s Creed, 1666: Amsterdam is a game that explicitly explores different time periods, and the prelude demo includes a glimpse at three of them.

The core of the historical game’s action is set in Amsterdam, beginning in December of 1665, as a young woman transforms from her unassuming self into an ethereal, red-garbed witch named Noa, on her way to a “commencement” ritual for a clandestine group called the Zaindaris Tribe. There, around a sacred tree, she selects a companion familiar from among several distinct cats, and the selected feline jumps toward her arms.

A sudden jump takes us to a second time period in the modern day, playing as a different young woman named Clio, who is investigating an enigmatic letter left behind by her ailing father. She visits an old professor friend of that father in a university library. The letter includes an indecipherable section that seems obscured by magic.

After investigating and finding more clues, Clio (and Professor Lucas) can interpret the letter, which gives the young woman a vision that rockets her into yet another time period in 1999, and the story told by her father that appears to be (at first hearing) a retelling of how Clio was likely conceived. As in, it’s a story told by her father, Aaron, about a sex ritual he was pulled into with a woman who is (presumably) Clio’s mother.

The amorous encounter culminates in Aaron awakening as a cat, traveling back in time to December 1665, and leaping into the arms of Noa, creating a tidy narrative loop to wrap up the story intro.

The public demo is notable for its absence of action sequences, but several brief sizzle scenes offer a glimpse of what players might expect. Once again, in keeping with Désilets’ prior work on Assassin’s Creed, we see Noa navigating the historical landscape of busy city streets in Amsterdam, engaging in magic-fueled third-person action combat with her foes.

But the demo does hint at other important elements of play, including a focus on investigating one’s environment. At any time, the characters in the demo can pause and look around, focus on objects, and learn about them, often leading to new interactive objects or prompts. As Noa, players also have access to seemingly magical capabilities, drawing a substance called Lux from dead things and utilizing a dark energy called Nux to enchant, ignite, or otherwise affect objects around her.

The other fascinating twist on gameplay is the cat, who we’re led to believe is actually the time-traveled embodiment of Aaron from centuries later, moving with Noa through Amsterdam. When Noa selects a cat companion, she is given the choice between several individual named creatures, including The Dreamer, Hermit, Spirit, Knight, Page, Child, Alchemist, Guardian, or Wildling. Each has described traits that seem to indicate different potential specialties, almost like cat classes. While much of the game is clearly navigated from the perspective of Noa, you’ll also have sequences played as the cat, able to jump to high places, infiltrate small spaces, and more.

Nothing about 1666: Amsterdam feels like it’s fundamentally the same game as Assassin’s Creed. But once you make the creative connection, there’s no denying the lines of inspiration that connect Désilets’ new project to his earlier brainchild.

According to in-demo summaries and early details revealed by the developers, Noa moves through Amsterdam, identifying entities known as the Originals, who have lived for centuries, and Noa is the Collector sent to take that power back from them. Amsterdam is lively and active during the day, but reveals new secrets at night, and Noa is able to track and confront in multiple ways, depending on player preference. If this sounds familiar (especially to players of the early Assassin’s Creed games), it’s because both are rooted in similar gameplay fantasies, and separated by setting, characters, and an increased focus on witchcraft and magic here in 1666.

After playing the prologue (which is billed as the opening of the game), it’s clear that Désilets and his team have done a fine job of establishing an intriguing setup and some gorgeous (often disquieting) visual frameworks. We’re also treated to the hints of a haunting musical score by the Canadian cellist and composer Jorane.

With those atmospheric, audio, and visual elements established, a great deal of 1666: Amsterdam’s potential hinges on the action, urban exploration, and infiltration experience that Désilets and his team are crafting, and which have yet to be detailed or played in the hours that presumably follow the revealed story opening.

If those features compare favorably to some of the fun we experienced in the early days of Assassin’s Creed, I suspect there may be an audience hungry for a return to the mystery, historical reverence, and surprise that Panache Digital seems to be shooting for here.

Each June, Summer Game Fest, much like E3 before it, plays host to the latest and greatest upcoming and ongoing games. With Los Angeles, California, as the backdrop, Game Informer meets with hundreds of developers over the course of the weekend, checking out the most exciting games on the horizon and interviewing those who bring them to life. While we will have plenty of coverage across GameInformer.com and our YouTube channel, this page is the place where you can find a concentrated blast of our favorite games we played and saw while on the ground at Summer Game Fest 2026.

If you're coming to this article in the beginning of the weekend, be sure to come back throughout the next few days, as we will be updating this page with more games as we see and play them!

Developer: Section 9  - Release Date: October 1

I’ve read the praises for End of Abyss from fellow editors Charles Harte and Kyle Hilliard, but after spending 30 minutes checking out this moody twin-stick shooter, I’m on the bandwagon. Developed by ex-Little Nightmares developers, that series’ trademark moody vibes and unsettling enemy design are fully present in this sci-fi Metroid-inspired adventure. As a survival horror fan, I enjoyed managing precious gun ammo to drop mutated humans and using limited items such as flares to distract threats or grenades to blow them apart. I especially loved scanning environments to gather intel, marking locked doors (which is then labeled on the maze-like maps for easy reference while backtracking), and revealing enemy weaknesses. I’m going to spend an embarrassing amount of time obsessively scanning, especially since Section 9 confirmed there’s an achievement for recording everything. End of Abyss’ creepy vibes, survival horror design, and tense gameplay make it a great way to kick off the spookiest month of the year. – Marcus Stewart

Developer: Turbo Button – Release Date: 2027

Slap Out Of It is a delightfully funny game in which you’re a new employee at PUZZL, an enigmatic, very unserious corporation with many rooms and floors. I assisted customer service with increasingly odd tasks: lubing someone’s digits with butter to help unfasten them from a finger trap, frosting a cop’s donut with a fire extinguisher, and photocopying paper currency to bypass pesky safeguards. You can pick up objects, slap people and things, and generally interact with the environment with both hands to solve involved-but-lighthearted situations. Later in the demo, I infiltrated a nightclub to steal a fog machine by rotating a room to get a pair of sunglasses (it’s a long story), which allowed me to reveal and rearrange the lasers blocking my access to the box holding one of the two bones. As for acquiring the second bone? You’ll have to solve that puzzle yourself! – Alex Van Aken

An update to Team Fortress 2 has been released. The update will be applied automatically when you restart Team Fortress 2. The major changes include:Fixed crash related to wearables leaking when weapons are dropped (community fix from Sean McGeehan)

An update has been released for Left 4 Dead:- Fixed several exploits that could be used to crash servers or remote players.

An update to Team Fortress 2 has been released. The update will be applied automatically when you restart Team Fortress 2. The major changes include:Fixed an issue where players could impersonate TF2 system messages by exploiting color control codesFixed a bug where certain custom maps would not load assets correctly on LinuxFixed some crashes relating to singleplayer TF2 SDK modsFixed a memory leak on long running servers related to dynamic modelsFixed client crash related to invalid D3D texture flagFixed hearing teleporter spin sound when carried (community fix from Brandon Little)Fixed objects sometimes using the incorrect activity when being placed (community fix from Brandon Little)Improved Medi Gun heal target selection to prioritize teammate directly under crosshair when teammates are close together (community fix from wget)Improved targetid selection to replicate Medi Gun heal target selection (community fix from wget)Added missing Steam Controller inputs for loadout menus (community fix from Ashetf2)Fixed 3D HUD using the incorrect animations while holding the PASS Time ball (community fix from gidi30)Fixed network state changes for player condition vars (community fix from ficool2)Fixed sentry rockets not sending the object_deflected game event when deflected (community fix from The Fatcat)Fixed Stat Clocks not drawing correctly in UI using playermodelpanel (community fix from rabscootle)Fixed flipped initial pitch/yaw on thirdperson switch (community fix from ficool2)Fixed Short Circuit projectile offset ignoring cl_flipviewmodels (community fix from birchish)Fixed Dragon's Fury fireballs having incorrect projectile path (community fix from wget)Fixed for mismatched cl_flipviewmodels values between client and server (community fix from birchish)Fixed cloak and rage meters being mispredicted (community fix from ficool2)Fixed prediction issues with Spy watches and cloak (community fix from ficool2)Fixed Casual doors player list sometimes using wrong size (community fix from nemmy)Fixed missing alpha mask for generator_01 (community fix from BreavyTF2)Fixed BuildingRescueLevel proxy overwriting TextureScroll on Rescue Ranger oscilloscope (community fix from Voids29)Fixed Botkiller team color bugs (community fix from DiskIntegrity)Fixed Scout.NegativeVocalization04 sound not playing because of a typo in the volumeRenamed sd_marshlands to htf_marshlands (hold the flag) to accurately describe its game modeUpdated the Festivizer model for The Overdose to fix a problem with the LODsUpdated the Mann of the Hour to make the hair blend better with the hat and Scout's skinUpdated/Added some tournament medalsUpdated The Bare Necessities to fix not moving correctly while tauntingUpdated the rigging for The Headliner to fix the pocket and tie stretching during some taunts and default posesUpdated alpha channel for Hydro water texture to remove inconsistenciesUpdated the Case of the BluesUpdated rigging to fix intense stretching during taunt posesUpdated materials to look less flatUpdated the taunt prop for Taunt: HeartbreakerUpdated the materials to add ambient occlusionUpdated the phong and rim lighting to show albedo tintUpdated the materials to add more depthUpdated the model to fix missing facesUpdated the model to fix stretching on lower LODsUpdated pl_frontier_final to fix invisible func_detail water near BLU spawn (community fix from ObsoleteGuy)Updated cp_frostwatch to fix first point death pit being survivable with ÜberCharges on Stage 1Updated cp_manor_event to fix invisible func_detail water near BLU spawn (community fix from ObsoleteGuy)Updated koth_demolitionUpdated map lighting to make it more like a sunset, as well as giving it a more golden colorReplaced the models used for the capture point lights with a different one which has better collision and illuminationReworked the capture point platform to give it a stronger designReworked all the catwalks to give them a more stylized lookReworked the lighting in all the furnace rooms to make them less dark and have a more neutral lookReverted a previous change to the capture point team change steam whistleRemoved all ambient_generics near the furnaces and fire pipeReworked the soundscapes to make them more efficient and work properlyReworked the control room of the crane to give it a better designReworked some ropes from the crane to give them a better lookFixed some props fading out incorrectlyFixed ships in the 3d skybox casting shadowsFixed cubemaps missing on parts of the mapFixed reflective surfaces not having a cubemap attached to themAdded a 128x128 cubemap on the control point so it is more reflective (thanks Zythe)Improved water cubemapsRestructured the spawn platform so players spawn looking at the shortcut, and don't need to pull a U-turn to exit spawn (thanks Lizard of Oz)Improved the visuals on the spawn platform to fit the previous changeFixed a blockbullets allowing players to stand on the exterior side of the helipads (thanks Yazoo)

An update to Team Fortress 2 has been released. The update will be applied automatically when you restart Team Fortress 2. The major changes include:Added smoke effect to the Scrooge McCrocketFixed prediction error when crouch jumping (community fix from ficool2)Updated the Snow Dome Unusual effect to decrease brightness and opacity of the glass and floor texturesUpdated the Festive Fleece to fix LOD issuesUpdated the Puncher's Polar Puffer to fix some skinning issuesUpdated The Conscientious Objector to fix missing material parameters (community fix from Lindon)Updated koth_winter_ridge to fix a collision error with projectiles on the dead tree at midUpdated 2koth_abbeyFixed small gaps in doorways outside of spawnUpdated tall crates to add nobuild triggers and make it more obvious they cannot be stood onUpdated clipping in the riverFixed Snipers wearing the Razorback being immune to freezing

An update to Team Fortress 2 has been released. The update will be applied automatically when you restart Team Fortress 2. The major changes include:Happy Smissmas 2025!All players who play TF2 during the event will receive a Stuffed Stocking as a gift! Stockings contain goodies for good little Mercenaries.Featuring 6 new community maps: Nutcracker, Sidewinder, Abbey, Winter Ridge, Matterhorn, and Gavle (pronounced yeah-vleh)Added the Winter 2025 Cosmetic CaseContains 23 new community-contributed itemsThe Festivizer can be found as a bonus drop when opening the caseAdded 3 new community-contributed taunts to the Mann Co. StoreTaunt: The Critical FailTaunt: Dead Mann's DrinkTaunt: ChairholderAdded 20 new community-created Unusual effects11 new effects for Unusual hats9 new effects for Unusual tauntsAdded lots of weapons to the list that can be Festivized (community-created changes!)Added community-created Smissmas material for the beach ballAll cosmetic and taunt cases will grant Smissmas 2025 Unusual effects instead of their normal Unusual effects during the event. This does not include crates.Mann Co. Store winter sale!Smissmas runs through January 7th, 2026GeneralAdded 'No Bullets' style for The Gift BringerFixed The Accursed Apparition hiding the Scout's headphonesUpdated the Sizzling Aroma and Toxic Aroma Unusual effects to fix problems with DirectX80Updated the Backbiter's Billycock backpack icon to reflect RED team versionUpdated the El Gigante's Gunbelt to fix a problem with the LODsUpdated the Seamann's Stubble to fix an issue with the materialsUpdated/Added some tournament medalsUpdated cp_cowerhouseUpdated some custom props with further optimizationsAdded playerclip "ladder" to both trucks' rear bed to make climbing more consistent/predictableUpdated ctf_doublecross_eventFixed out of bounds bug (Thanks Dr.TwentyTwo!)Fixed a few minor visual glitchesUpdated cp_gravelpit_snowyAdded a screenshake effect to the laser gun finaleAdjusted holiday events to reduce edict countFixed model panels not encoding pose parameter values (community fix from copperpixel)Fixed Halloween spell projectiles not adjusting to flipped view models (community fix from copperpixel)Network player's handedness preference to spectators (community fix from copperpixel)Fixed Ullapool Caber explosions not counting as melee kills and ignoring damage/radius attributes (community fix from Bitl)Fixed disposable sentries playing denial sound for useful wrench hits (community fix from AJMickey)Fixed Armageddon Pyro taunt not properly cleaning up all particle systems (community fix from Churkinator)Fixed logo spinner from breaking after prolonged rotation (community fix from Horiuchi)Fixed Minigun not spinning, or spinning very slowly, outside of first-person (community fix from wget)Fixed broken view model after switching from the Medi Gun while healing someone (community fix from Vlad)Allow server admins to change powerup mode convars without forcing cheats to be enabled (community fix from Pieter Bijl)Replaced bitwise or operator in CHealthAmmoKit (community fix from CosminPerRam)Fixed MoveableSubPanel showing in Sentry targetID panel while dead (community fix from Horiuchi)Fixed tracer rounds from rifles not being affected by cl_flipviewmodels (community fix from birchish)Fixed Pyrovision nullifying other voice pitch attributes (community fix from LizardOfOz)Fixed being able to throw the Gas Passer through walls (community fix from Bakugo)Fixed IncrementAmmo removing ammo if m_iClip1 was already at Max capacity (community fix from kingofings)Added TF-specific search path tags to TF mod gameinfo (community fix from Thomas Kain)Fixed view punch not being interpolated (community fix from ficool2)Fixed disguise_on_backstab not functioning for stab targets that become ghosts (community fix from FlaminSarge)Fixed chat input using chat_party instead of chat_say_party (community fix from gaelcoral)Fixed overlapping footstep sound when in the third person view (community fix from TheNotoriousFrogposter)Ensure no buffer overflows when sscanf to char buffer (community fix from Dmitry Tsarevich)Fixed players sometimes getting stuck in team unassigned when joining a server (community fix from Bakugo)Fixed sentry gun not performing rocket fire animation when Wrangler controlled (community fix from Horiuchi)Allow impulse 101 on The Ullapool Caber (community fix from alvei)Fixed disguise kit resetting multiple times in high ping situations (community fix from nosoop)Fixed Detonator jumps not being considered self-dmg jumps (community fix from mastercoms)Fixed Detonator making world-detonation sound when attempting to fire underwater (community fix from FlaminSarge)Removed knockback-attribute-specific animation overrides for CTFScattergun (community fix from FlaminSarge)Fixed net_graph not rounding interp to nearest tick (community fix from treacherousfiend)Fixed broken class select animation for The Soda Popper (community fix from Piogre)Fixed $envmap parameter using the wrong mask for The Solemn Vow (community fix from Churkinator)Fixed barbell prop not using phong (community fix from Churkinator)Fixed the Kill-a-Watt and Terror-Watt Unusual effects sometimes stretching (community fix from Ronald_D_D)Fixed Disco Beat Down Unusual effect growing in size when viewed from large distances (community fix from Ron Friedman)Fixed MatchMakingTooltip label using the wrong alignment setting (community fix from Squid-Eevee)Fixed training mode HIT! material alpha channel (community fix from DiskIntegrity)Fixed Bear Necessities not using its normal map (community fix from Churkinator)Fixed prediction errors with modified player gravity (community fix from ficool2)Fixed render box of tf_flame_manager using wrong vectors (community fix from by Hamn)Updated the Energy Orb Unusual effect (community fix from Cipherlock)Fixed particles being orphaned Fixed Medi Gun view model using the third-person particles